Gender
in Woolf’s “Orlando”:
[ send
me this essay ]
A seven page paper looking at the issue of gender and its impact on behavior and
personality as developed in Virginia Woolf’s 1928 novel. The paper explores
Woolf’s argument that gender quite literally does not matter, and the fact
that society makes so much of it is what is wrong with society. No additional
sources.
Filename: KBwoolf.wps
Modernism
in Eliot and Woolf
[ send
me this essay ]
A five page paper showing how T.S. Eliot and Virginia Woolf consciously defined
modernism in their critical essays and employed it in their works. Specific
works discussed are Woolf’s “The Metaphysical Poet and Modern Fiction” and
“The Mark on the Wall,” as well as Eliot’s “Tradition and the Individual
Talent” and “The Waste Land.” No additional sources.
Filename: KBeliot.wps
James
Joyce's "The Dead" And Virginia Woolf's "The Legacy":
Relationships
[ send
me this essay ]
5 pages in length. Love is often not enough to sustain a relationship between
two people, which has been effectively demonstrated in both The Dead and The
Legacy. Joyce's Gabriel and Gretta Conroy and Woolf's Gilbert and Angela Clandon
represent the epitome of disguise by existing within a relationship under the
illusion of love. The writer discusses how the Conroy's and the Clandon's
address the issue of marriage in very different ways. No additional sources
cited.
Filename: TLCwoolf.wps
Gender
and Modernist Implications of Selected Portions of Virginia Woolf’s “The
Waves”
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me this essay ]
A 6 page analysis of Virginia Woolf’s thematic presentation of women and their
role society. Rather than resorting to the stereotypical images of women which
so much predominated literature at this point in history, Woolf exposes us to a
view of women which suggests independence and fortitude. Through this work we
are presented with a significant reconsideration of culture and gender and
pertinent observation on the way people act within a specific cultural context
to deliberately alter those very contexts. Suggest that in many ways this book
appears to be written in direct opposition to the concepts of Straussian theory,
a theory of binary opposition between nature and culture which revolves around
the economic value of the wife in a patriarchal society with the contention the
woman was not a subject but an object to be bartered in the interest of
promoting the all-important male status. Bibliography lists 3 sources.
Filename: PPWoolf.wps
Septimus
and Clarissa in Woolf’s “Mrs. Dalloway”
[ send
me this essay ]
A 5 page paper looking at this novel by Virginia Woolf in terms of the way the
central characters depict the changing social mood between 1914 and 1925. The
paper argues that the war destroyed the enormous sense of complacency which was
the nineteenth century’s legacy to the twentieth, and this is illustrated by
these two death-obsessed characters. Bibliography lists two sources.
Filename: KBdallo.wps